celebratingamazingwomen:

Leonora Carrington (1917-2011) was an
English-born Mexican painter and author, and an important representative of the
Surrealist movement in the country. She was also very active in the women’s
liberation movement during the 1970s.

She lived in multiple
countries throughout her life, including France, Spain, and the United States,
but Mexico was the one she loved the most and where she spent a considerable
amount of time. Her paintings are inspired by magical realism and symbolism,
and female sexuality was an important theme. Her 1973 work Mujeres Conciencia was a powerful symbol of the women’s movement in
Mexico.

occultaspects:

onlymexico:

Leonora Carrington OBE (6 April 1917 – 25 May 2011) was an English-born Mexican artist, surrealist painter, and novelist. She lived most of her adult life in Mexico City, and was one of the last surviving participants in the Surrealist movement of the 1930s.

Leonora Carrington was also a founding member of the Women’s Liberation Movement in Mexico during the 1970s

Following the escape to Lisbon, Carrington arranged passage out of Europe with Renato Leduc, a Mexican Ambassador. Leduc was a friend of Pablo Picasso, and agreed to marry Carrington just for the travel arrangements.

Events from this period continued to inform her work. She lived and worked in Mexico after spending part of the 1960s in New York City.

While in Mexico, she was asked, in 1963, to create a mural which she named El Mundo Magico de los Mayas, and which was influenced by folk stories from the region.

The mural is now located in the Museo Nacional de Antropología in Mexico City.

Carrington designed Mujeres conscienscia (1973), a poster, for the Women’s Liberation movement in Mexico, depicting a ‘new eve’.

Carrington, personally and primarily focused on psychic freedom, understood that such freedom could not be achieved until political freedom is also accomplished.

Through these beliefs, Carrington understood that “greater cooperation and sharing of knowledge between politically active women in Mexico and North America” was important for emancipation.

Carrington’s political commitment led to her winning the Lifetime Achievement Award at the Women’s Caucus for Art convention in New York in 1986.

I didn’t have time to be anyone’s muse… I was too busy rebelling against my family and learning to be an artist.

http://en.wikipedia.org/wiki/Leonora_Carrington

theeyeofzoro:

Typhoon is a powerful, swirling destructive force. It is force and fire, characterized by the description of the aeon of horus,… According to Kenneth Grant, Typhon is “ The feminine aspect of Set; sometimes typified as the Mother of Set in her role of the Goddess of the Seven Stars, of which Set is the Eighth.” #dragontelecaster #jimmypage #fender #kennethgrant #thedarklord #typhonian
https://www.instagram.com/p/BpsHBdLn0jb/?utm_source=ig_tumblr_share&igshid=j2kls11x3g9w

theeyeofzoro:

Rock Magic: Jimmy Page, Led Zeppelin,
And a
search for the elusive Stairway to Heaven
by William Burroughs
Crawdaddy Magazine, June 1975.

Read the Entire article and Interview Transcript here:

Read about The Magical Universe of William Burroughs and his lifelong interest in the Occult By MATTHEW LEVI STEVENS here:

THE INTERVIEW

I felt that these considerations
could form the basis of my talk with Jimmy Page, which I hoped would not take
the form of an interview. There is something just basically WRONG about the
whole interview format. Someone sticks a mike in your face and says, “Mr. Page,
would you care to talk about your interest in occult practices? Would you
describe yourself as a believer in this sort of thing?” Even an intelligent mike-in-the-face
question tends to evoke a guarded mike-in-the-face answer. As soon as Jimmy
Page walked into my loft downtown, I saw that it wasn’t going to be that way.

We started talking over a cup of tea
and found we have friends in common: the real estate agent who negotiated Jimmy
Page’s purchase of the Aleister Crowley house on Loch Ness; John Michel, the
flying saucer and pyramid expert; Donald Camel, who worked on ‘Performance’;
Kenneth Anger, and the Jaggers, Mick and Chris. The subject of magic came up in
connection with Aleister Crowley and Kenneth Anger’s film ‘Lucifer Rising’, for
which Jimmy Page did the sound track.

Since the word “magic” tends to
cause confused thinking, I would like to say exactly what I mean by “magic” and
the magical interpretation of so-called reality. The underlying assumption of
magic is the assertion of ‘will’ as the primary moving force in this
universe–the deep conviction that nothing happens unless somebody or some being
wills it to happen. To me this has always seemed self-evident. A chair does not
move unless someone moves it. Neither does your physical body, which is
composed of much the same materials, move unless you will it to move. Walking
across the rooom is a magical operation. From the viewpoint of magic, no death,
no illness, no misfortune, accident, war or riot is accidental. There are no
accidents in the world of magic. And will is another word for animate energy.
Rock stars are juggling fissionable material that could blow up at any time…
“The soccer scores are coming in from the Capital…one must pretend an
interest,” drawled the dandified Commandante, safe in the pages of my book; and
as another rock star said to me, “YOU sit on your ass writing–I could be
torn to pieces by my fans, like Orpheus.”

I found Jimmy Page equally aware of
the risks involved in handling the fissionable material of the mass unconcious.
I took on a valence I learned years ago from two ‘Life-Time’ reporters–one
keeps telling you these horrific stories: “Now old Burns was dragged out of the
truck and skinned alive by the mob, and when we got there with the cameras the
bloody thing was still squirming there like a worm…” while the other half of
the team is snapping pictures CLICK CLICK CLICK to record your reactions–so
over dinner at Mexican Gardens I told Jimmy the story of the big soccer riot in
Lima, Peru in 1964.

We are ushered into the arena as
VIPs, in the style made famous by ‘Triumph of the Will’. Martial music–long
vistas–the statuesque police with their dogs on leads–the crowd surging in a
sultry menacing electricity palpable in the air–grey clouds over Lima–people
glance up uneasily… the last time it rained in Lima was the year of the great
earthquake, when whole towns were swallowed by landslides. A cop is beating and
kicking someone as he shoves him back towards the exit. Oh lucky man. The dogs
growl ominously. The game is tense. Tied until the end of the last quarter, and
then the stunning decision: a goal that would have won the game for Peru is
disqualified by the Uruguayan referee. A howl of rage from the crowd, and then
a huge black known as La Bomba, who has started three previous soccer riots and
already has twenty-three notches on his bomb, vaults down into the arena. A
wave of fans follows The Bomb–the Uruguayan referee scrambles off with the
agility of a rat or an evil spirit–the police release tear gas and unleash
their snarling dogs, hysterical with fear and rage and maddened by the tear
gas. And then a sound like falling mountains, as a few drops of rain begin to fall.

“Yes, I’ve thought about that. We
all have. The important thing is maintain a balance. The kids come to get far
out with the music. It’s our job to see they have a good time and no trouble.”

And remember the rock group called
Storm? Playing a dance hall in Switzerland…fire…exits locked…thirty-seven
people dead including all the performers. Now any performer who has never
thought about fire and panic just doesn’t think. The best way to keep something
bad from happening is to see it ahead of time, and you can’t see it if you
refuse to face the possibility. The bad vibes in that dance hall must have been
really heavy. If the performers had been sensitive and alert, they would have
checked to be sure the exits were unlocked.

Previously, over two fingers of
whiskey in my Franklin Street digs, I had told Page about Major Bruce
MacMannaway, a healer and psychic who lives in Scotland. The Major discovered
his healing abilities in World War II when his regiment was cut off without
medical supplies and the Major started laying on hands…”Well Major, I think
it’s a load of bollocks but I’ll try anything.” And it turns out the Major is a
walking hypo. His psychic abilities were so highly regarded by the Admiralty
that he was called in to locate sunken submarines, and he never once missed.

I attended a group meditation
seminar with the Major. It turned out to be the Indian rope trick. Before the
session the Major told us something of the potential power in group meditation.
He had seen it lift a six-hundred-pound church organ five feet in the air. I
had no reason to doubt this, since he was obviously incapable of falsification.
In the session, after some preliminary excercises, the Major asked us to see a
column of light in the center of the room and then took us up through the light
to a plateau where we met nice friendly people: the stairway to heaven in fact.
I mean we were really THERE.

I turned to Jimmy Page: “Of course
we are dealing here with meditation– the deliberate induction of a trance state
in a few people under the hands of an old master. This would seem on the
surface to have a little in common with a rock concert, but the underlying
force is the same: human energy and its potential concentration.” I pointed out
that the moment when the stairway to heaven becomes something actually POSSIBLE
for the audience, would also be the moment of greatest danger. Jimmy expressed
himself as well aware of the power in mass concentration, aware of the dangers
involved, and of the skill and balance needed to avoid them…rather like driving
a load of nitroglycerine.

“There IS a responsibility to the
audience,” he said. “We don’t want anything bad to happen to these kids–we
don’t want to release anything we can’t handle.” We talked about magic and
Aleister Crowley. Jimmy said that Crowley has been maligned as a black
magician, whereas magic is neither white nor black, good nor bad–it is simply
alive with what it is: the real thing, what people really feel and want and
are. I pointed out that this “either/or” straitjacket had been imposed by
Christianity when all magic became black magic; that scientists took over from
the Church, and Western man has been stifled in a non-magical universe known as
“the way things are.” Rock music can be seen as one attempt to break out of
this dead soulless universe and reassert the universe of magic.

Jimmy told me that Aleister
Crowley’s house has very good vibes for anyone who is relaxed and receptive. At
one time the house had also been the scene of a vast chicken swindle indirectly
involving George Sanders, the movie actor, who was able to clear himself of any
criminal charges, Sanders committed suicide in Barcelona, and we both
remembered his farewell note to the world: “I leave you to this sweet
cesspool.”

I told Jimmy he was lucky too have that
house with a monster in the front yard. What about the Loch Ness monster? Jimmy
Page thinks it exists. I wondered if it could find enough to eat, and thought
this unlikely–it’s not the improbability but the upkeep on monsters that
worries me. Did Aleister Crowley have opinions on the subject? He apparently
had not expressed himself.

Follow TheEyeOfZoro for more on the Magickal Life of Jimmy Page

occultaspects:

tremble-and-shake:

aepitaph:

‘There is something just basically WRONG about the whole interview format. Someone sticks a mike in your face and says, “Mr. Page, would you care to talk about your interest in occult practices? Would you describe yourself as a believer in this sort of thing?” Even an intelligent mike-in-the-face question tends to evoke a guarded mike-in-the-face answer. As soon as Jimmy Page walked into my loft downtown, I saw that it wasn’t going to be that way.’
– William Burroughs about his “interview” with Jimmy Page

Such a great interview, here it is- “Jimmy Page and Rock Magic.  Definitely worth a read.

ex-libris-blog:

Detectives Gilbough and Papania stop to ask for direction (to the old derelict church “Son of Life” that Cohle and Hart visited years ago). Errol Childress states that the church is ‘about 7 miles of fields-you’ll hit 49 (7 x 7?) before Crowley.’ A possible reference to Aleister Crowley and his work ‘777 and Other Qabalistic Writings of Aleister Crowley‘

777 is one of the most prominent books of the Qabalah in the western esoteric tradition. Liber 777 Vel Prolegoma Symbolica Ad Systemam Sceptico-Mysticae Viae Explicande, Fundamentum Hieroglyphicum Sanctissimorum Scientiae Summae is designated a “Class B” document by Crowley. The title refers to a lightning flash descending the diagrammatic worlds, the zig-zag pattern suggesting three diminishing 7s. It consists of roughly 191 columns, with each row corresponding to a specific Sephirah or path on the Tree of Life for a total of 35 rows and is used for a quick reference for corresponding mnemonics and factors of religion for use in magic.

The first appearance of 777 was published anonymously in 1909 after Crowley had written it from memory in just a week. An introduction to one edition by “Frater N∴” states that Crowley may have published it anonymously because it was taken from a Hermetic Order of the Golden Dawn manuscript that was obligatory for initiates to memorise.

Within the detail of the book the column’s vertical axis is numbered from 1 to 32 signifying the 32-paths of wisdom which occur in the western Qabalah, numbers 1–10 are the sephirah of the universe and numbers 11–32 the paths which join them. The horizontal columns have many categories pertinent to religion, mythology and magic given in some 32-parts each. The Hebrew alphabet, the Tarot cards and the astrological glyphs fortunately total 22-each and are given to the paths as a map of the magician’s universe. From the 11th path onward some of these numbers have been exemplified by appearing to the left or right in the margin for easy reference, paths 11, 23, 31, 32-bis and 31-bis are leftwards and denote the five astrological elements; paths 15, 16, 17, 18, 19, 20, 22, 24, 25, 26, 28, 29 are rightwards and denote the 12 astrological signs, the rest are astrological planets.

Images: True detective, S01E07 (After you’ve gone); Wiki, text source: Wiki