magnetar1:

“The artist, as a manifestation of the Universe, and hence of the Void by which it maintains its own existence, contains within a ‘primordial-point’ that establishes a constant link with the beginning of all time and space and being; once an artist creates this enlinkment he establishes an internal, and yet often silent, dialogue with the origin of his very own being and thus forges that connection with the focal point of All-Being. Thus, even without knowing he has done so, raised his little earthly self to a station of apotheosis: wherein his own being becomes the Icon of Himself, and serves as a mere Idol of the Universal Self; yet one which resides that much closer to the adytum of Our Belief: the Veiled Queen of All Mystery. The very muse, who by a myriad and infinite number of Masks come to all who are thus inspired to create and share a Vision of their world. She becomes the very personification of All-Inspiration as reflected unto the Mirror of each Mind as it becomes worthy to receive its Light.”

— Patrick J. Larabee

poeemindfckr:

French translator and publisher of Aleister Crowley, Collagist, Poet and Photographer, Philippe Pissier is one of the most talented artists living in France. As a joke or as a ritual his art reveals alchemical connections between comic books and magick. His own creative insight is delicate and shy, beyond all knowledge or understanding. In other words, his art seeks to express simplicity among cacophony. – See more at: http://www.leatherarchives.org/collections/art/pissier/pissier.htm#sthash.mzMe5kOR.dpuf

http://pissierarchives.canalblog.com/

Characith

hijodelagua:

[Image by Linda Falorio, Shadow Tarot]

And the exploration of yet another Tunnel of Set ends.

There is this funny thing that happens to me with magick. No matter how long I’ve been into it and even into this work of exploring the Tunnels of Set one-by-one, there are moments in which my skeptical self takes control and thinks “Maybe it was all a coincidence and the visions were meaningless. Probably nothing more is going to happen”. Then reality kicks my ass and something huge turns my life upside down again.

Like meeting a fascinating existence that shouldn’t be alive to begin with. And this event had perfectly synchronized with the Characith working.

I also suspect when this all ends I won’t even be living in my country anymore. And probably with 7 tunnels remaining I can’t begin to suspect how different my life will be when it all ends.

I would get personal but I don’t like getting personal through words in Tumblr. I prefer the subtleness of the images and reblogs. Its more comfortable and it lets me express myself deeper, even though it looks like I’m not saying anything very specific.

In Characith I learnt a bit more on how magick works and on how reality reacts to your innermost beliefs about it. If I want my music to go anywhere I have to believe I am a musician, and to do it deep enough that I become unconscious of such belief, “its just who I am” (then again, is such a belief worth burying in the unconscious?). And the same goes with any other aim. Yet there remains the really important question here, and I guess this might be related to the Zamradiel tunnel I am now opening. Which aims are really worth? Aren’t personal aims sort of wasting the potential of magick? I need to re-learn how to think big. In the end sometimes it feels like magick flows stronger when your vision gets wider and your aims become more relevant not just to your petty desires but to the society and culture you’re living in.

poeemindfckr:

~ The Shadow Tarot ~

by Linda Falorio (Black Moon Publishing 1995, 4th edition)

The author reified her exploration of the 22 Tunnels of Set as described by Aleister Crowley in Liber 231, and by Kenneth Grant in Nightside of Eden into a system of 22 cards. 

The Shadow Tarot represents an important & significant work which interprets Aleister Crowley’s Liber 231, deals with Kenneth Grant’s exploration of the Tunnels of Set, and the Qliphoth on the Nightside of the Tree of Life.