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theeyeofzoro:

JRR Book Works Custom Display Case / Stand / Holder for Letter of Provenance for my Personal copy of Le Dragon Rouge.

I purchased The notorious Grand Grimoire aka Le Dragon Rouge from Raymond Buckland, who’s had it in his library since 1968.  However the end papers were cracking and the binding was in need of repair.

People know this book as the Source for how the Zoso Sigil was stylized. 
(Yes the sigil goes back further to the Alchemical writings of Artephius via Cardano’s Le Rerum Varietate…)

This is the kind of work you get from someone who does not want to mess with the most notorious books of Black Magic that houses the Zoso Sigil.

JRR Book Works 

chaosophia218:

Signes et Caracteres des Espirits, “Le Dragon Rouge” (Le Grand Grimoire), 1522.

The Grand Grimoire is a black magic grimoire. Different editions date the book to 1521, 1522 or 1421, but it was probably written in the early 19th century. It was authored by someone named Antonia Venitiana del Rabina who supposedly gathered this information from original writings of King Solomon. Also known as “The Red Dragon”, this book contains instructions purported to summon Lucifer or Lucifuge Rofocale, for the purpose of forming a Deal with the Devil. The book is called “Le Veritable Dragon Rouge” (“The True Red Dragon”) in Haiti, where it is revered among many practitioners of Voodoo. It is claimed they were placed under King Solomon’s throne by the Devil to tempt him. The work is divided into two books. The first book contains instructions for summoning a Demon and for the construction of tools with which to force the Demon to do ones bidding. The second book is further divided into two parts: the Sanctum Regnum and Secrets, de L’Art Magique du Grand Grimoire (“Secrets, of the magic art of the Grand Grimoire”). The Sactum Regnum contain instructions for making a pact with the Demon, allowing one to command the Spirit without the tools required in book one, but at greater risk. “Secrets” contains simpler Spells and Rituals one can employ after having performed the Ritual in the first book. Some editions contain a short text between these two parts, Le Secret Magique, où le Grand Art de pouvoir parler aux Morts (“The Magic Secret, or the Grand Art of being able to speaking with the Dead”), dealing with Necromancy.

scarlet-library:

THE GRAND GRIMOIRE – known also as “The Red Dragon”. It is a collection of “black magic” grimoires believed to be as old as the 16th century AD, containing instructions purported to summon Lucifer or Lucifuge Rofocale, with the intent of forming an infernal pact (i.e. a “deal with the devil.”)

Quoting the Esoteric Archives:

“A. E. Waite pronounced this the most fantastic of the texts of the Black Magic cycle, and ’one of the most atrocious of its class; it has a process in Necromancy which is possible, say some occult writers – in the geniality of a lucid interval – only to a dangerous maniac or an irreclaimable criminal. It must be admitted that the Rite is highly unreasonable, but in dealing with such literature it seems unsafe to advance the objection, for it applies much too widely.’”

(Emphasis is mine.)

I strongly discourage anyone from attempting any ritual contained within The Grand Grimoire for reasons which should be plainly obvious. Do not try this at home.

ancient-serpent:

Page from the Clavis Inferni (The Key of Hell); an 18th-Century Manual on Black Magic

“The Clavis Inferni (“The Key of Hell”) by Cyprianus, is a late-18th-century book on black magic. Written in a mixture of Latin, Hebrew, and a cipher alphabet (namely that of Cornelius Agrippa’s Transitus Fluvii or “Passing through the River” from the Third Book of Occult Philosophy written around 1510) the book has remained rather mysterious due to its unknown origin and context. It is said to be a textbook of the Black School at Wittenburg, a supposed school somewhere in Germany where one could learn the dark arts. As for the name of the author, it seems to have become a common name for people practicing magic. Benjamin Breen writes in The Appendix of how the existence throughout history of various magically-inclined Cyprianuses – from “a Dane […] who was so evil that Satan cast him out of hell” to the Greek wizard St. Cyprian of Antioch (who later converted to Christianity) – led to the name becoming a popular pseudonym for “people at the edges of society who were trying to do real black magic”.”