When we dream, we have out-of-body experiences on the astral plane. Conscious astral projection involves getting into a meditative state, moving your astral body out of your physical body, and traveling around on the astral plane.
Astral Body
Between you as spirit and your physical body there is an intermediate body known as your astral body. It is lighter and more changeable than your physical body. But the astral body has more shape and density than pure spirit. Your astral body may often be recognizable as your human form, but it can also change appearance, shift shapes, and do fun things like moving through walls.
Astral Plane
The world between the physical and spiritual world is known as the astral plane, or the astral. While it is commonly referred to in the singular as the astral plane, there are actually many different levels of the astral, or astral planes. We move through these astral planes in our dreams.
Astral Travel
The astral world is much more fluid than the physical world. Astral travel is not bound by the limitations of time and space. You can visit different dimensions and travel to past or future experiences on the astral. For many people, it is also easier to connect with deceased loved ones on the astral.
Astral planes vary from the ordinary, to the phantasmagorical, to the divine. Defying easy definition, the astral planes intersect with both physical reality and the symbolic realms of the dream world. Astral travel can take you to dimensions beyond your imagination.
Astral Dream Experiences
Your astral body plays a key role in creating new developments which have not yet manifested in your physical life. The astral is like a giant laboratory in which you experiment with your life and your creations.
The astral can also offer great insight, as it allows you to come at things from a different angle. Astral dream experiences allow you to see things from a different perspective than your normal awareness. As a result, astral dreams can be especially useful for working on situations thatâfor one reason or anotherâmay be difficult to face directly in daily life.
Astral Projection Meditation
Astral projection typically involves getting into a meditative state so you can consciously move your astral body out of your physical body. With practice, astral projection allows you to develop greater awareness of out-of-body and astral experiences.
These are simple directions for an astral meditation that is suitable for beginnersâŠ
ASTRAL PROJECTION EXERCISE:
Preparing the Space, Preparing YourselfâŠ
Find a quiet, comfortable place for yourselfâwhere you will not be disturbed. Create a relaxing atmosphere. You may want to light a candle, burn incense, or play some quiet, soothing music in the background. Begin to relax in general. Take some deep breaths and perhaps do some light stretching. Sit upright in a comfortable position with an open posture.
Part I: Aura Meditation
Get yourself centered and grounded by doing the Aura Meditation in How to Meditate. You will also need to repeat this after your astral projection meditation.
Notice how you experience yourself before doing the Astral Projection exercise. Then close your eyes and focus your attention inwardâŠ
Part II: Astral Projection Meditation
Be aware of your body. Notice how you experience the density of your physical body. Then be aware of your aura about an armâs length all the way around your body. Notice how you experience the lightness of your spiritual energy. Then start to open up your awareness of an intermediate body between your physical body and you as spirit. Notice how you experience the vibration of your astral body.
Allow yourself to shift your awareness to your astral body. Be present in your astral body.
Float your astral body up to a corner of the room. Be present in your astral body in that upper corner of the room. From that upper corner of the room, be aware of your physical body down below you, sitting in the chair. Notice how you experience your physical body down below you.
Then float your astral body up through the ceiling and be on the roof of your building. Be aware of your astral body standing on the roof of your building. On the roof, move around a bit in your astral body. Notice how you experience being in your astral body. Be aware of the world around from the roof of your building. Notice how you experience the world from your astral body.
Then bring your astral body down through the roof and be in an upper corner of the room again. From the upper corner of the room, notice your physical body sitting in the chair below you.
Float your astral body above your physical body. Notice what itâs like to be above your physical body. Then gently lower yourself down into your physical body. First be aware of being in your astral body in your physical body. Then allow yourself to shift your awareness to your physical body itself. Allow yourself to come back fully into your physical body.
Part III: Repeat the Aura Meditation
Get yourself centered and grounded by doing the Aura Meditation in How to Meditate. Draw all of your energy back from above you. Feel your feet on the floor. Feel your legs, torso, arms, neck and head. Be aware of your aura an armâs length around your body. Notice what itâs like to be grounded back in your body.
When you feel ready, take a few deep breaths, gently open your eyes, and slowly begin to move. Notice how you experience yourself after doing the Astral Projection exercise. Give yourself some time to integrate this experience and enjoy being relaxed before moving on to other activities. (Especially after you first start practicing this meditationâyou may want to journal your experience, have a cup of tea, or go for a quiet walk.)
If you practice astral meditation on a regular basis, it will become easier to do and your out-of-body experiences will gradually become clearer. – Oakwulf
When people sell homes, hanging light fixtures they purchase and install often go with the sale of the property. Â Did Jimmy Page purchase and install this lamp fixture at Boleskine house during the time he owned it?
This exquisite shape is formed around a dodecahedron. Â One of many Sacred Geometry shapes found in the universe. Â Each of the 12 pentagonal faces is extended into a phi ratio star point which create 12 interlocking pentagrams. The Star Dodecahedron has become a popular tool for graduates of other Metaforms and a powerful symbol for divine/human co-creation. It stimulates the heart chakra and helps to move the energy into new levels of conscious awareness. The 12 stellated points activate all the human bodyâs subtle systems, creating a peaceful experience in the integrated polarity of feminine and masculine energy. The Star Dodecahedron produces a warm feeling of transcendence with its symmetrical beauty and adds a radiance to any decor or landscape.
The Star Dodecahedron is in essence a Twice Complex Merkaba.  The Merkabah is an ancient symbol, which represents âOne with Allâ.Â
[ And if you listen very hardâŠThe tune will come to you at last⊠When all are one and one is allâŠ]  Â
The symbol is represented by two tetrahedrons  (ie two three-dimensional equilateral triangles), which oppose each other and are merged together to form the six pointed Merkabah (also called a Star Tetrahedron). Â
The MerKaBa, which can be viewed as a three dimensional Star of David. Also spelled MerKaBah, it is the divine light vehicle allegedly used by ascended masters to connect with and reach those in tune with the higher realms. âMerâ means Light. âKaâ means Spirit. âBaâ means Body. Mer-Ka-Ba means the spirit/body surrounded by counter-rotating fields of light, (wheels within wheels), spirals of energy as in DNA, which transports spirit/body from one dimension to another. Â Counter rotating means the upward (male) tetrahedron spins anti-clockwise and the downward (female) tetrahedron spins clockwise, hence forming a divine âorbâ of light. Â It is this âorbâ Merkabah vehicle that transports our Spirit/Body from one dimension to another. Thus the Merkabah helps us to fully activate our Light Body Crystalline Matrix multi-dimensionally through the 13 levels of experience (dimensions) of our Galaxy â ie Metatronâs Cube.
The most famous talisman is a six-pointed star, made from
two overlapping triangles. The upward pointing triangle symbolizes fire, the
sky, and male energy. The downward pointing triangle symbolizes water, earth,
and female energy. The power of this talisman is such that mystic Arthur Edward
Waite wrote: âNothing was believed
impossible for those who possessed it.â (A. E. Waite, The Occult Sciences
[Secaucus, NJ: University Books, 1974], 111).
âWe
put in the fantasy sequences because we ran out of concert footage,â says Page, who is
seen as a pilgrim climbing the mountain, a symbol of his search for
enlightenment, and reaching out to touch The Hermit, the adept, the loner, only
to discover that The Hermit is himself. Â After
which he whizzes back to the womb again. âSo itâs me going up and up towards this
beacon of truth and figure of knowledge.â He flings his right arm high. âAnd
then having this epiphany that truth can come to you at any point in your life.
Which is what Iâd like to think for everybody, you know?â Thereâs more
behind it. Magic. Spirituality. Secrets heâs keeping. âI wanted people to think, âWhat
is that? Whatâs he getting at?âââ Page flashes a
smile. âThere you go,â he says. âA bit more mystery for you.â
Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.
â -H.P.LovecraftÂ
A Brief SynopsisÂ
 The term âEldritch Diabolismâ literally means âStrange Devil-Worshipâ. It is defined by classical Diabolism (the worship of demonized gods through the understanding that they were among the first.) coupled with the belief that the gods described in the works, letters and personal notes of H.P Lovecraft were visions and revelations of such demonized gods – making him as a prophet unto us.Â
 One may ask: âIs it not foolish to believe in the writings of a horror-fiction writer?â to which it must be rebutted that some 229,157,250 Americans hold a faith based on a book – written by mortal men, and often choose to congregate in large buildings on a particular day to speak and read about the stories contained within said text. Should a scarce few then not be allowed such a privilege, should they hold it in a private and serious manner with those texts they themselves choose, with those texts which at least tell a good story?
It becomes fact to those who choose to work under this system that to be sane is to be ignorant to the world around you. We understand it may be considered outlandish to believe that mankind was formed from mud and the blood of a god, and we revel in the outlandish-ness of such concepts through the acceptance that these stories of old and new, of pious scribes and a horror author, fabulous or not, contain and reveal mysteries of the universe, to be found through the terror or glamour they cast upon us. This universe is to be understood to be but a dream, a series of stories. Make sure your part entertains the ones that dream, and the ones that watch from just beyond the gates of the void.
The revelations of Howard Philips Lovecraft
 From a young age, Lovecraft was prone to vivid dreams, nightmares, visions and bouts of inspired writing. In one 1921 letter to Reinhardt Kleiner, he wrote this:
â[âŠ] Amidst this gloom came the nightmare of nightmares – the most realistic and horrible i have experienced since the age of ten [âŠ] As i was drawn into the abyss i emitted a resounding shriek ⊠and the picture ceased. I was in great pain – forehead pounding and ears ringing – but i had only one automatic impulse – To writeâŠâ
It is then the belief of the Eldritch Diabolist that Lovecraft was receiving the secret names and images of what he titled âThe Ancient onesâ and âThe elder godsâ -That is the primordial gods, such as Achlys, Erebus and Tiamat; and the terrestrial gods like Olokun, Thoth, Aries and Dagon.
Many scholars and Diabolists have compiled their revelations over the years since Lovecraftâs death, here are a few interesting selections:
Dread Cthulhu – Olokun, the chained god. Leviathan, serpent of the seas.
Shub-Niggurath – Lilith, haunter in the night. Ishtar, The risen Goddess. Tiamat, Mother of Demons, creator of the world.
Dagon – Dagon, god of the seas and fish.
Azathoth – Primal Chaos, Infinite empty nothingness, yet the potential for all creation.
Yog-Sothoth – Enki, god of seed, magic and knowledge. Apollo, God of knowledge, music, healing, plague and prophecy.Â
This list is in no means complete, for the interest of time and the attention of the reader it will be left relatively short – but such connections are not difficult to be drawn up by even the novice researcher, and should prove an act of pious devotion.Â
I trust that this posting will help people understand and perhaps even delve into this wonderful and misunderstood path.Â
Sources: Cults of Cthulhu; Fra .Tenerous. The Satanic Rituals; Anton S. LaVey Cthulhu Cult; Venger Satanis. The Myths of Greece and Rome; H. A. Guerber. More annotated H.P Lovecraft; S. T Joshi and Peter Cannon. Tales of H.P Lovecraft; Joyce Carol Gates. Olokun; Ifadoyin Sangomuyiwa. Dictionary of Gods and Goddesses; Michael Jordan. The Tree of death and Qliphoth; Jon Gee. Devoted; V.A.Â
Lovecraftian Tree of Life, âHecateâs Fountainâ, 1992.
The eleven Power Zones of the Tree of Life in relation to the Necronomicon Mythos and Mauve-zone Magick, showing Planetary and Chromatic attributions, associated Esoteric functions, and Totemic Symbols. These correspondences are not in any sense absolute, and vary in detail as required by specific Occult workings.
More engravings from Claude Paradinâs Les Devises Heroiquesâfirst published in 1556, reprinted in Occult Images (Agile Rabbit Editions) by Pepin Press in 2002 (various unknown artists, pre-16th century CE).
Melek Taus (also spelt -Malik Tous) Â translated in English as Peacock Angel, is the Yazidi name for one of the central figures of Yazidi religion.
Since the late 16th century, Muslims have accused Yazidis of devil worship due to the similarity between the Quranic story of Shaitan and the account of TawĂ»sĂȘ Melekâs refusal to bow to Adam. Whereas Muslims revile Shaitan for refusing to submit to God and bow to Adam, believing that his defiance caused him to fall from Godâs grace, Yazidis revere TawĂ»sĂȘ Melek for his independence. Accusations of devil worship fueled centuries of violent persecution, which have led Yazidi communities to concentrate in remote mountainous regions of northwestern Iraq. The Yazidi taboo against the Arabic word Shaitan (ۧÙŰŽÛ۷ۧÙ) (satan) and on words containing the consonants ĆĄ (sh) and t/áč have been used to suggest a connection between this TawĂ»sĂȘ Melek and Shaitan.
Four Pentacles of the Moon – âClavicula Salomonisâ, (The Key of Solomon), 14th century.
First Pentacle of the Moon âThis serveth against all perils and dangers by water, and if it should chance that the Spirits of the Moon should excite and cause great rain and exceeding tempests about the Circle, in order to astonish and terrify thee; on showing unto them this Pentacle, it will all speedily cease.â
Second Pentacle of the Moon âThis being duly borne with thee when upon a journeyâŠserveth against all attacks by night and against every kind of danger and peril by Water.â
Third Pentacle of the Moon âThis defendeth thee from all evil sources, and from all injury unto soul or body. Its Angel, Sophiel, giveth the knowledge of the virtue of all herbs and stones; and unto whomsoever shall name him, he will procure the knowledge of all.â