In the middle ages, the meaning of the term ‘salt’ was widened to
include substances that were seen to resemble common salt (e.g. in
appearance, solubility and so forth). Chemically speaking, a salt
is a neutralisation reaction between an acid and a base. The two have a
natural affinity for each other, one seeking to gain an electron (the
acid), the other seeking to lose one (the base). When this occurs, the
product is a salt. While more complex chemical definitions of salt can
be given, this one, advanced by Guillaume Francois Rouelle in 1744,
allows one to perceive the broader principles that motivated the
alchemists to select salt as the mineral image of the interaction of
sulphur and mercury (cinnabar, HgS, a salt in the chemical sense formed
from sulphur and mercury). As Mark Kurlansky points out:
It
turned out that salt was once a microcosm for one of the oldest
concepts of nature and the order of the universe. From the fourth
century BC Chinese belief in the forces of yin and yang, to most of the
worlds religions, to modern science, to the basic principles of cooking,
there has always been a belief that two opposing forces find
completion—one receiving a missing part and the other shedding an extra
one. A salt is a small but perfect thing.
More precise
chemical definitions specify that a salt is an electrically neutral
ionic compound. Here, the same principle of perfect equipoise between
opposing energies prevails. Ions are atoms or molecules whose net
electrical charge is either positive or negative: either the protons
dominate to produce an ion with a positive electric charge (an anion,
from Greek ana-, ‘up’), or the electrons dominate to produce an ion with a negative electric charge (a cation, from Greek kata-,
‘down’). When anions and cations bond to form an ionic compound whose
electric charges are in equilibrium, they neutralise and the result is
called a salt.
The chemical definition opens up the conception of
salt beyond that of mere sodium chloride. Chemically, the coloured
oxides and other reactions of metals—of especial significance to the
alchemical perception—are often salts (the metal itself taking the role
of base; oxygen the acid). Alchemically, or at least
proto-chemically, because the reactions of metals were coloured, they
were important signifiers of the metal’s nature, often seen as an index
of its spirit or tincture (ios, ‘tincture, violet/purple’). The
seven planetary metals were often signified by their coloured salts or
oxides: e.g. lead is white; iron, red (rust); copper is blue/green;
silver is black. Gold remains pure (unreacting) but its tincture was
identified with royal purple (seen in the red-purple colour of colloidal
gold, gold salts, ruby glass etc.)
100 ways to incorporate magick in your daily life.
I understand that these are not exactly all witchy but this is about intergreting your everyday life in your practice and appreciating as well as finding magick in the most mundane and simple things that we often miss out on. ♡
1. When you wake up, before grabbing your phone or getting out of bed, take a few seconds to breathe, and stretch all your limbs.
2. Say ‘’thank you’’ to your god/goddess/deity, or simply to acknowledge how lucky you are to live another day.
3. Open the window regardless of the weather and take a big breath of fresh air. This will not only cleanse the room but also your body.
4. If it’s raining outside or snowing, take a minute to admire the beauty of it.
5. Pick wildflowers (please don’t pick any endangered flowers or toxic ones, do your research).
6. Dry said wildflowers and put them in your Book of Shadows or any book or journal you are using.
7. Go for a walk in nature during the day and during the night as well.
8. Sunbathe.
9. Moonbathe.
10. Light lots of candles.
11. If your room needs a cleaning, try to make your own household products naturally using your favorite scents and clean your room with them.
12. Change your bed sheets and pillowcases.
13. If you have a clothing line, hang your clothes, blankets, sheets, comforters, pillowcases, underwear outside. Visualize the wind cleansing them.
14. Grow your own favorite herbs.
15. Buy a succulent.
16. Dry your herbs and save them for bath magick, spells, teas or rituals.
17. Sweep the floor and visualize yourself sweeping off all negativity out of the room.
18. Sprinkle sea salt over areas that you feel have a negative energy to purify them.
19. Make your own purifying/cleansing spray.
20. Take a hot, soothing bath. I am a sea witch so I find this particularly helpful when I miss the ocean/the beach. (Don’t forget to add herbs, essential oils, sea salt, flowers, crystals, or anything that has magickal properties for a magickal bath)
21. Sip a cup of your favorite herbal tea.
22. For kitchen witches, try brewing your own tea, and cooking meals with intention and magickal ingredients.
23. Make charm bags.
24. Water your herb garden by hand.
25. Show the people you love that you love them.
26. Show some love to your pets and spend a few extra minutes with them.
27. Light up your favorite incense.
28. Keep a small bag of your favorite herb (for example: lavender) in a drawer, so when you feel stressed, just pop the bag open for a deep breath of calming aromatherapy.
29. When you take a shower, visualize the water neutralizing your energy and washing off all the bad stuff.
30. Bless your morning coffee or tea.
31. Keep a daily journal, whether it’s a Book of Shadows, a daily planner/organizer or a dream journal.
32. If you wanna be low-key and discrete about your craft, draw small sigils all over everything. Your school notebooks, pencil cases, journals, shoes, etc.
33. Read lots of books about magick and form your own opinion/path/views/beliefs.
34. If you read fictional stories, allow yourself to get lost in them and let your mind wander and escape.
35. Put on your favorite clothes, makeup, shoes, or whatever little thing that makes you feel fabulous, even if you’re staying in.
36. Be proud of your body.
37. Practice self-care.
38. Take time to unplug and spend time with yourself. (that includes smartphones, iPads, laptops, tablets, desktops, and all electronics/little gadgets we lug around on a daily basis.)
39. Go to the beach
40. Go to the forest.
41. Go to the desert.
42. Go to the mountains.
43. If it’s warm outside, make a bonfire and admire the flames. If it’s winter and you have a fireplace, light it up.
44. Go somewhere you’ve never visited before.
45. Go camping if you can, by yourself or with friends.
46. Stargaze.
47. Breathe.
48. Dance.
49. Dance in the rain.
50. Sing.
51. Go outside on a snowstorm.
52. Plant a vegetable garden, even if it’s just a pot of tomatoes.
53. Walk barefoot and feel the earth under your feet.
54. Pull weeds.
55. Adopt an animal from the shelter.
56. Practice yoga.
57. Eat healthy, but if you wanna eat that last piece of cake, do it. Life is short.
58. Exercise.
59. Start a new hobby.
60. Mix your own perfume.
61.Make your own candle.
62. Make your own essential oil.
63. Make your own soap.
64. Lay down and listen to your favorite music. (Mine is video music, it’s just soothing for me.
65. Take a day just for you without answering the phone.
66. Pick dandelions and make a wish.
67. Carry crystals/stones with your in your pocket.
68. Learn how to do tarot readings.
69. Collect rain, sun, snow water.
70. Plant lavender or rosemary for protection and luck.
71. Bless your kitchen utensils, such as spatulas and wooden spoons, that all the food you make with them will promote healing and love.
72. Charge your crystals under the full moon.
73. Have tantric sex with a loving partner.
74. Carve sigils into the sand at the beach and let the tides release them into the universe.
75. Re-arrange your altar.
76. Keep track of your sleep and menstrual cycles and moods to see how the moon phases affect you.
77. Be open minded to the retrogrades.
78. Go outside on any phase of the moon and take in all its beauty.
79. Keep your pendulum with you as a necklace so you’re always ready to do a little scrying.
80. Burn sage or cedar first thing in the morning to start your day off fresh.
81. Look for constellations and learn them.
82. Paint sigils on your mailbox.
83. Hang wood chimes, or a silver bell on your front door knob for luck.
84. Tuck a sprig of lavender under your pillow before bed to promote peaceful sleep.
85. Watch a meteor shower with someone you care about.
86. Buy new candles.
87. Water your plants in your garden counterclockwise to banish negativity from the space.
88. Paint your nails a color associated with the intention of your spell or ritual before you begin so that your hands become your wand.
89. Plant red geraniums by your front door as this is a traditional sign of witches.
90. Bless more than water and crystals on the night of the full moon: set out your essential oils, nail polish, or a special bottle of champagne too.
91. Dry your vegetables or plants and incorporate them into a charm bag.
92. Wash your windows with moon water for extra clarity.
93. Use sun water when you brew tea for a magickal experience.
94. Stir sugar into your tea or coffee with intention, willing sweetness into your day and life.
95. Draw sigils or write a brief protection spell on the inside of your dog or cat’s collar.
96. Soak in a milk bath (or just soak your fingers in a bowl of warm milk) on the full moon to embrace the feminine energy. Plus you’ll come away with silky, soft skin.
97.Hang up palmistry and astrology charts in your home for easy reference and pretty, witchy decor.
98. Line your windowsills with protective crystals.
99. Make censing sticks for the seasons, using chamomile buds for spring, lavender for summer, sage for fall and pine for winter.
100. Just be you and love yourself. Don’t forget you are made of stardust. You are magickal and amazing.
– A shaman will work with all things of nature. They will see life as a ceremony, something sacred and to be honored. The call of the shaman is one which cannot be taken lightly, for the well-being of all community is their path.
Shamanism is the dedication of either a man or a woman whose life path is to assist others in achieving a better quality of life. A shaman will often be seen in a community functioning as the witch doctor, medicine person, doctor, priest, social worker, healer and/or mystic. Shamans use both mental and emotional adventures with a client. The intent of these adventures is to aid the client in being able to overcome physical, emotional, mental, and spiritual limitations. A shaman’s life is dedicated to assisting others, in their community. In performing the duties of a shaman, the shaman will move between the physical and ether worlds. The shaman is able to move between worlds with ease and often this is accomplished when the shaman enters an altered state of consciousnesses. The purpose for doing this is to improve the quality of life for the client, using and doing what is needed to make this happen.
A client, or sitter, is defined as one who has come to the shaman for healing, guidance and with life questions. The client may need healing physically, emotionally, mentally and or spiritually. The shaman works with the client to heal all areas of their life and the shaman is open to aid and assist how they are lead while in the trance or altered state of awareness. In the practice of shamanism, the shaman will use a variety of natural tools such as drums, herbs, plants, meditation, rattles, and sweat lodges to assist them as they shift their level of awareness. These tools assist the shaman and open the way for the shaman to leave their physical body freely. Leaving their physical body is done when the shaman is on a soul flight, or on a soul journey. While on these journeys, or times away from their physical body, the shaman’s distinct purpose is to connect with universal energies in order to receive information and answers to assist in healing and growth. Shamans are natural healers. They just know what needs to be done.
A shaman will see illness as the loss of one’s personal power. The shaman will, through the soul journey, aid their client in returning this personal power in order to recover. The shaman sees the loss of personal power as a loss of a part of the client. This is recognized as a part of the person being lost, almost as if the person has a splinter of themselves gone. It is then, through a shamanic journey, where the shaman leaves their body. The shaman goes to retrieve this lost part of the person or to retrieve the lost soul of their client. An example of this would be a person losing their power when they have suffered a trauma; this trauma may have taken place in the form of an accident, or event which caused a part of their soul to depart from the body. This departing happens when the soul and body have experienced an event so severe that had the soul remained, the physical body would have died; something causing the heart to jump, an extreme shock. The retrieval process can be a tedious adventure as the shaman must locate the lost or severed part of their client and they must then confirm for the lost part that it is safe to return. The retrieval process is then done through a ritual re-uniting where the shaman serves as the middle person assisting the soul and the client in a re-uniting ceremony.
In shamanism, the shaman also works with the land, healing the land, bringing harmony and balance to the land. It is through the wisdom of the ages that a shaman is able to do this type of healing work, working with nature and the spirit of the animals: (four-legged, creepy crawlies, the winged ones, the swimming ones), elements: (earth, air, water, and fire), polar directions: (east, south, west, and north / above, below and within), plants, stones, sky, trees, vegetation, and the universe around them. It is with this assistance that they are able to tap into the healing energies of ancient wisdom. The essence of all that they work with is seen as alive and as a divine source connected to the higher source as the provider of life. A shaman will often refer to the ancestors as natural elements of nature, for example: stone people, the standing ones (trees). Through connecting with the energy and ancient wisdom and through drawing in help from natural energy, the shaman is then able to collect the power that is needed for them to perform for their client, for the land, community, bringing the healings and blessings that are sought out and needed.
Dream time is another source of travel for a shaman. It is while in dream time that the shaman is then able to travel and to seek the answers needed. They then bring the answers back with them when they awaken. This is done through programming the conscious mind to remember and receive the information that the subconscious mind retrieves while asleep and while the shaman is in the dream state.
The power of the shaman is recognized by the level of results they achieve from the work they perform. This can be recognized as work done for the individual, for the village, for the community, the environment and the good of the whole. The results depend on the shaman’s ability to travel and bring back to the land or the client that which it is they are seeking. A shaman who is unable to bring back from their travels the medicine needed, or the soul parts sought after, will bring shame to themselves and the client, community, and land.
It is also believed that the shaman can control the weather. They travel between the worlds and bring to the community, for good or bad, what is needed for the community. Today, the modern shaman will bring personal power, spiritual enlightenment, and harmony with nature, psychological understanding and healing on all levels: physical, emotional, and spiritual.
Shamans are also able to communicate with the animal kingdom, dead or alive. In this communication, they are able to know when an animal is trying to tell their owner something; or if an animal is not acting normal, the shaman is able to communicate to the owner what is wrong. They are then able to offer healing remedies for the animal.
Peter Kingsley has presented convincing evidence that it is better to view
him as an ancient Greek “Divine Man” (Theios
Anêr), that is, a Iatromantis (healer-seer,
“shaman”) and Magos (priest-magician). In his own
time he was viewed as a prophet, healer, magician and savior.
His beliefs and practices were built on ancient mystery
traditions, including the Orphic mysteries, the Pythagorean
philosophy, and the underworld mysteries of Hecate, Demeter,
Persephone and Dionysos. These were influenced by
near-Eastern traditions such as Zoroastrianism and Chaldean
theurgy. Empedocles, in his turn, was a source for the major
streams of Western mysticism and magic, including alchemy,
Graeco-Egyptian magic (such as found in the Greek magical
papyri),
Neo-Platonism, Hermeticism and Gnosticism. The
Tetrasomia, or Doctrine of the Four Elements,
provides a basic framework underlying these and other
spiritual traditions. (See Kingsley’s Ancient Philosophy,
Mystery and Magic: Empedocles and Pythagorean Tradition cited at the end of this article,
for more on the Empedoclean tradition; a review is also available.)
Empedocles used a variety of words for each of the Roots,
and from their range of meanings we can get some idea of his
conception of the Elments. (I capitalize words such as “Earth”
and “Element” to distinguish the magical or spiritual concepts
from the mundane ones.) For Earth he also used words meaning
land, soil and ground. For Water he also used words meaning
rain, sweat, moisture, sea water and open sea. For Air he also
used clear sky, heaven, firmament, brilliance, ray, beam, glance,
eye, splendor, mist and cloud. (This inconsistency between
bright clear sky – aithêr – and misty clouds –
aêr – will be explained when we discuss Air.)
For Fire he also used flame, blaze, lightning, sun, sunlight,
beaming and East.
(See Wright, p. 23, for a table of the Greek
terms.)
Now hear the fourfold Roots of everything:
Enlivening Hera, Hades, shining Zeus,
And Nestis, moistening mortal springs with tears.
As was common practice with Divine Men, Empedocles gave
his students knowledge in riddles to help develop their abilities,
and this seems to be one of those riddles (ainigmata).
Even in ancient times
there was debate and differing theories about the
correspondence between the Gods and Elements, but Kingsley (Part I) seems to have solved
the riddle, as will be explained later . To avoid undue suspense I will reveal the solution here:
Zeus is Air, Hera is Earth, Hades is Fire and Nestis (Persephone)
is Water.
Empedocles’ equation of the Roots with deities show that he
conceived of the Elements as more than material substances (or
states of matter). It is better to think of them as spiritual
essences (modes of spiritual being), which can manifest
themselves in many ways in the material and spiritual worlds
(they are form rather than content, structure rather than
image). Some of these manifestations will be explored when we
consider the individual Elements; here I will mention a few to
indicate the possibilities.
Most obviously there are the macrocosmic manifestations of
the Elements, for example, the land, the sea, the sky and the
sun. They are also connected with the sublunary spheres:
Heaven, Earth, Abyss (the subterranean water) and Tartaros
(the subterranean fire). There are also microcosmic
manifestations, for example, as components of the human
psyche (mental, astral, etheric and physical bodies), which will
be discussed later.
The Elements also represent the stages in various processes
of growth and transformation (embodied, for example, in the
alchemical Rotation of the Elements), such as the stages in the
Ascent of the Soul in Chaldean Theurgy (Divine Invocation), also discussed later.
Finally, from the standpoint of Jung’s psychology, the Elements (like the Gods) are archetypes; because they are
structures in the collective unconscious, they are universal
(present in all people). As archetypes, they are beyond
complete analysis; they can be “circumscribed but not
described”; ultimately they must be experienced to be
understood. Nevertheless Empedocles and his successors
(especially Aristotle) did much to illuminate the nature of the
Elements and their interrelationships (and I will be leaning on
their discoveries). Since much of the meaning of the Elements
inheres in their interrelationships, I’ll begin with the Elements
in general before turning to Earth specifically.
Aristotle in the century following Empedocles, who based his analysis
on the four Powers (Dunameis) or Qualities, which
were probably first enumerated by Empedocles. This double
pair of opponent Powers, Warm versus Cool and Dry versus
Moist, are the key to a deeper understanding of the Elements.
Like the Elements, they must be understood as spiritual forces
rather than material qualities (warm, cold, dry, moist).
The Powers manifest in as many ways as the Elements. The
Pythagoreans identified one of the most important of these, a
natural progression that can be called the Organic Cycle. The
first phase of growth is Moist: spring rains, pliant green shoots,
rapid growth. The second phase is Warm: summer sun,
flourishing individuality, mature vigor. The third is Dry:
autumn leaves, inflexible stems, stiffening joints. The fourth is
Cool: winter chills, loss of identity, death. This cycle is also the
basis for one form of the alchemical “rotation of the elements,”
from Earth to Water to Air to Fire and back to Earth. Although
the Organic Cycle can be found throughout nature, Aristotle
discovered the deeper essence of the Qualities, which reveals
their spiritual nature, as we’ll explore in detail when we
consider the individual Elements.
see figure).
(It is most common to place the Elements at the corners and
the Powers between them, but it is better to place the Powers at
the corners, since they are absolute, and the Elements between
them, since they are mixtures of the Powers.) The Square
shows that Earth is Dry and Cool, Water is Cool and Moist, Air is
Moist and Warm, Fire is Warm and Dry.
Aristotle further explains that in each Element one Power is
dominant. Therefore Earth is predominantly Dry, Water
predominantly Cool, Air predominantly Moist, and Fire
predominantly Warm. The dominant Power is the one in a
counterclockwise direction from the Element in the Square of
Opposition; thus the arrow by each Element points to its
dominant Power. The vertical axis represents the active
Qualities (Warm, Cool), the horizontal represents the passive
(Moist, Dry). The upper Elements (Air, Fire) are active, light and
ascending, the lower (Water, Earth) are passive, heavy and
descending. The Elements on the right are pure, extreme and
absolutely light (Fire) or heavy (Earth); those on the left are
mixed, intermediate and relatively light (Air) or heavy (Water).
The absolute Elements exhibit unidirectional motion (ascending
Fire, descending Earth), whereas the relative Elements (Air,
Water) can also expand horizontally. The Organic Cycle (the
cycle of the seasons) goes sunwise around the square.
Unlike the chemical elements, the spiritual Elements can be
transformed into each other, but only in accord with laws
discovered by Aristotle
(see Gill).
Understanding these laws is a prerequisite to transforming
and combining them in their various manifestations. In brief,
one Element can be transformed directly into another only if
they share a common Quality (and are thus adjacent, not
opposed on the Elemental Square). For example, Water is
transformed into Air when the Water is acted on by a larger
quantitiy of Air, since the Water’s Coolness is “overpowered” by
the Air’s Warmth; the common Moist quality is retained through
the transformation. This process is reversible, since Air can be
transformed back into Water by acting upon it with sufficient
Water.
Direct transformation between opposed Elements is
impossible. Thus Water cannot be transformed directly into
Fire, since they have no common Quality to give continuity to
the process, but the Water can be transformed indirectly by
changing it first into Air or Earth. This occurs when the Water
is acted upon by a larger quantity of Fire. We can move around
the Square, but not across it.
Raymon Llull
(c.1229-1315), known as “Doctor Illuminatus,” extended the
Aristotelian analysis by explaining how two Elements can act
upon each other. Whenever we have similar quantities of two
Elements with a common Quality, the Element in which it’s not
dominant is “overcome” or “conquered” by the one in which it is.
For example, when Water combines with Earth, the Earth is
overcome, because they are both Cool, but Coolness dominates
in Water. Therefore, the result will be predominantly Cool, with
an additional Quality of Moistness, which makes it Watery.
Llull’s analysis leads to a Cycle of Triumphs, which is shown by
the arrows on the Elemental Square. Thus Fire overcomes Air,
Air overcomes Water, Water overcomes Earth, and Earth
overcomes Fire. Notice that in each triumph (except the last),
the more subtle Element overcomes the grosser Element.
Aristotle
(see Gill)
also explained a process by which two opposed Elements can
be irreversibly transformed into a third. For example, if Fire
acts on a mixture of Earth and Air, these two opposed Elements
will be transformed into Fire, which takes its Dryness from the
Earth and its Warmth from the Air. The transformation is
irreversible, although some of the Fire could be transformed
back into Earth and, separately, some of the Fire back into Air.
This process cannot be used to transform two adjacent Elements
into a third, for example Fire and Air into Water or Earth. If we
kept the Fire’s Dryness and the Air’s Wetness, we would have
contradictory Qualities; if we kept the Fire’s Warmth and the
Air’s Warmth, the result would be neither Wet nor Dry. In both
cases the result is impossible (either by the law of
noncontradiction or by the law of the excluded middle). (The
other two possible combinations of Qualities yield Air and Fire,
in which case there is no transformation.)
Finally, whenever we have two opposed Elements acting
upon each other, they tend to neutralize, leading to a result that
is weakly one or the other. However, the essence of the
alchemical Great Work is a proper unification of opposed
Elements (especially Fire and Water), a Coniunctio
Oppositorum (Conjunction of Opposites) in which they
form a higher unity, rather than annihilating each other; this
will be discussed when we come to Water and Fire.
Before proceeding to a detailed consideration of the
individual Elements, it will be worthwhile to consider some of
the meaning embodied in the familiar Elemental Signs (as
shown in the figure of the Elemental Square). The triangles
represent the active Power (Warm or Cool) in each Element.
The elemental signs of Earth and Water have in common the
pubic triangle, because these Elements are traditionally
feminine and more passive, since they have in common the
contracting, uniting Cool Power
(see below on Coolness); the
downward triangle also shows these elements are descending
(Water and Earth fall). Conversely Air and Fire have the phallic
triangle, because they are traditionally male and more active,
since they have in common the expanding, separating Warm
Power (discussed with Air); the upward triangle shows these
elements are ascending (Air and Fire rise). Thus the Stoics
associated the analytic, masculine Elements with Word
(Logos) and the synthetic, feminine Elements with
Matter (Hulê). Finally, in the elemental signs
for Air and Earth, the crossbar represents a denser or grosser
(less subtle) form of the Element, as Earth is of Water, and Air
of Fire.
Thrill with lissome lust of the light,
O man! My man!
Come careering out of the night
Of Pan! Io Pan!
Io Pan! Io Pan! Come over the sea
From Sicily and from Arcady!
Roaming as Bacchus, with fauns and pards
And nymphs and satyrs for thy guards,
On a milk-white ass, come over the sea
To me, to me,
Come with Apollo in bridal dress
(Shepherdess and pythoness)
Come with Artemis, silken shod,
And wash thy white thigh, beautiful God,
In the moon of the woods, on the marble mount,
The dimpled dawn of the amber fount!
Dip the purple of passionate prayer
In the crimson shrine, the scarlet snare,
The soul that startles in eyes of blue
To watch thy wantonness weeping through
The tangled grove, the gnarled bole
Of the living tree that is spirit and soul
And body and brain — come over the sea,
(Io Pan! Io Pan!)
Devil or god, to me, to me,
My man! my man!
Come with trumpets sounding shrill
Over the hill!
Come with drums low muttering
From the spring!
Come with flute and come with pipe!
Am I not ripe?
I, who wait and writhe and wrestle
With air that hath no boughs to nestle
My body, weary of empty clasp,
Strong as a lion and sharp as an asp —
Come, O come!
I am numb
With the lonely lust of devildom.
Thrust the sword through the galling fetter,
All-devourer, all-begetter;
Give me the sign of the Open Eye,
And the token erect of thorny thigh,
And the word of madness and mystery,
O Pan! Io Pan!
Io Pan! Io Pan Pan! Pan Pan! Pan,
I am a man:
Do as thou wilt, as a great god can,
O Pan! Io Pan!
Io Pan! Io Pan Pan! I am awake
In the grip of the snake.
The eagle slashes with beak and claw;
The gods withdraw:
The great beasts come, Io Pan! I am borne
To death on the horn
Of the Unicorn.
I am Pan! Io Pan! Io Pan Pan! Pan!
I am thy mate, I am thy man,
Goat of thy flock, I am gold, I am god,
Flesh to thy bone, flower to thy rod.
With hoofs of steel I race on the rocks
Through solstice stubborn to equinox.
And I rave; and I rape and I rip and I rend
Everlasting, world without end,
Mannikin, maiden, Maenad, man,
In the might of Pan.
Io Pan! Io Pan Pan! Pan! Io Pan!
The modern world of craft practice is inundated with symbols. From the myriad of cultural religious and sacred imagery that has been appropriated by various magical practices over the centuries to the ever evolving stable of geometric drawings that have long been held to hold some innate metaphysical knowledge, the world of magic is full of symbols.
The sigil, originally a term meaning the signature of a spirit entity, has evolved since the 19th century, through the work of Austin Osman Spare, Kenneth Grant and later UK based chaos magicians, to be a symbolic representation of a spell or goal oriented magic working.
Thus modern magical practice often incorporates the creation of ever further symbols to represent our magical desires, formulations, and contemplations. These sigils have become central to magic in a world of screens, where every grimoire is able to be accessed instantly and the commodity of the symbol, a rarification of knowledge, is lost in the ubiquitousness of the internet age. No symbol is rare, no sigil unique.
Yet as we move through this era of data overstimulation and increasingly thinner language barriers we as magic practitioners have long understood that the true and underlying power of the symbol is in the thing it represents, not the ink on the parchment. The map is not the territory on this side of the mirror of the landscape, nor the other.
When we look for the foundation of symbols like the pentacle and hexagram, geometric forms that outline mathematical truths, we find them everywhere in nature. Their power is in the root of life itself, expressions in plants and animal matter that count themselves innumerably. From the pattern of flower petals to the digits of a human hand, from the forking twists of tree branches to the roots of sacred herbs the mathematical expression that is symbolized in a pentagram, hexagram, squiggly line, pointed arrow, all are found in the natural world. Our sigils are merely representations of things, much as is our language. A pale and dim reflection of a radiant thing of complex arrangement.
As magicians we must return to the land and give less credence to the map. We must let our sigils be the shapes we find in nature, the forking of a leaf, the vein of a stone, a spiral of a shell, the fracture of a bone. The trace of an ancient river our spirit symbol for its essence, the pentate of flower petals the warning of its hidden power.
Language is at best discarded when we enter upon the threshold of that realm beyond. By bringing language into the space of the other we dilute our ability to grasp its architecture. Carrying language with us is baggage best left behind, for as we attempt to categorize and compartmentalize the experiences of the other those experiences move away from us, like a willow the wisp fading in the forest ahead.
When we mistake the map for the territory we lose sight of our path, looking to be guided by the map we are no longer explorers of our own lives but merely commuters on the way to some self perceived goal. The practice of magic and the role it has in our perception of “reality” is one that affords us subtle understandings of the architecture of reality. The reduction of these things to mere symbols and sigils robs them of their agency, reduces and diminishes their power and awe.
It is through a meditative understanding of the expression of these symbols in nature that we as witches will come to grasp the invisible realm of otherness. That beyond, that is part and parcel of the mundane world and yet so often ignored by the masses in their search for comfort and stability. We see the true landscape through the veil, and the symbols that point the way are merely signposts on our path.
Let the sigils of nature manifest in our craft, as stewards of the landscape in which we work, as journeyers along a path through the beyond. Let the flower represent itself without the pentagram, the crossroads reveal itself without the hexengram. The unfolding magnificence of the natural world is the territory we seek to ensnare in our symbols, let them stand for themselves on our altar and in our path. The landscape will reveal those sigils for which all things may be bound, all spirits may be called. We must merely learn to see them in our midst.
The 13 Moon, 28-day calendar is a new standard of time for all people
everywhere who desire a genuinely new world. If the calendar and time
we follow is irregular, artificial and mechanized, so becomes our mind.
As is our mind, so our world becomes, as is our world today: Irregular,
artificial and mechanized. But if the calendar we follow is harmonic and
in tune with natural cycles, so also will our mind become, and so we
may return to a way of life more spiritual and in harmony with nature.
The 13 Moon calendar synchronizes solar and galactic cycles on July 26
correlating with the star Sirius. Each of the 13 moons has a power,
action, and quality which define an annual program to synchronize our
consciousness with the galactic cycles.
As a perfect measure of cosmic time, this calendar is actually a synchronometer,
an instrument for measuring synchronicity. Followed daily, it gives us a
new lens in which to perceive events. In the New Time, synchronicity is
the norm.
The 13 Moon 28-day synchronometer is a harmonic timespace
matrix. It takes the moon 28 days to orbit the Earth; it makes this
orbit 13 times each year. The standard of measure is the 28-day cycle,
called a moon, because it is the median between the 29.5-day synodic
cycle of the moon (new moon to new moon) and the 27.1-day sidereal cycle
of the moon. Hence, it is a measure of Earth’s solar orbit using the
28-day lunar standard. This creates a perfect orbital measure of 13
moons of 28 days, totaling 364 days, or 52 perfect weeks of 7 days each.
Because the 365th day is no day of the moon or week at all, it is known as the “day out of time” – a day to celebrate peace through culture and time is art!
“The Thirteen Moon calendar is an evolutionary tool to assist
humanity in the unprecedented act of uniting itself on one issue
central to its complete well-being: time. The harmonic convergence of
humanity on this one issue, combined with the inescapable order,
perfection and simplicity of following the 13 Moon calendar will lift
the species as a simultaneous whole into the galactic timing frequency
of 13:20.”
José Argüelles/Valum Votan, The Call of Pacal Votan
The coming new era on our planet has everything to do with a change
of timing frequency. The 13 Moon-28-day calendar is a simple tool that
helps us to raise our frequency and gives us a new lens to view both our
day-to-day and planetary events.
Because both the Gregorian and 13 Moon calendars operate with 52
seven-day weeks annually (364 days), the 13 Moon calendar provides a
perfect daily transition tool for hooking back up with the
higher-dimensional order! It is simple to follow day-to-day as it is
marked with the dates of the Gregorian calendar.
The 13 Moon calendar is comprised of elegantly simple cycles.
Namely: The 7-day week and 28-day moon. Unlike the Gregorian calendar,
the days of the moon (month) and the days of the week line up perfectly,
week-to-week and moon-to-moon. This makes the 13 Moon/28-day calendar a
perpetual calendar.