Nigredo in Alchemy


Alchemy has been called a “proto-chemistry”, but it also had a spiritual nature. Scholars such as C.G. Jung made profound studies about alchemy, finding in it apowerful archetypal symbolism which could give people the possibility of transforming themselves in a deep way. The first step, as they say, it’s the hardest. Human beings reach their free will through self-discovery, but we don’t try to self-discover ourselves until our situation has become so painful that we don’t have any other way than to recreate ourselves. We don’t accept that we must transform our life until we hit rock bottom. This is called the Dark Night of the Soul. This is a process describing a crisis of faith, or of meaning, in which every value in our life is questioned, losing its weight. One feels as if one was wandering in deep, dark labyrinths, without any exit on sight. This process is called in alchemy the nigredo, the black phase.

In alchemical treatises, this phase is represented with images of ravens, skulls, skeletons and dead bodies. The black phase represents the death of the ego, the limited personality of man, and allows for a deeper contact with one’s personality’s core, the self. Suffice to say, this is a process which not many people go through voluntarily, since it requires that one’s ideas and preconceptions about the world are brought down. The Arcanum XVI of the tarot, The Tower, illustrates in a dramatic way this process. This is a symbolic and initiatorical death through which every person seeking to recreate themselves must pass. Historian of religion Mircea Eliade explores this theme extensively in his book “The Forge and the Crucible”, where he writes about this kind of alchemical death is

“The reduction of all substance to the prima materia [primal matter], to the masa confusa [confused mass], which corresponds –in a cosmological place- to the primordial situation, to chaos. Death represents a return to the formless, a reintegration of Chaos.”

This type of experiences are marked by a loss of meaning in life. Psychologically, a crises of the ego happens. The ego must then adapt to its new situation, or die. We witness this type of situations (either in our lives or in those around us) when a relationship breaks up, be it a romantic relationship, when someone is fired from their job, or we cut communication with a loved friend. The ego falls back to the original chaos, from which it must arise again by overcoming its catastrophe, or die in order to stop feeling pain. Ancient alchemists gave great importance to this phase, in which one can experience the deepest darkness related with the blackness of spiritual death. Eliade writes that

“This kind of experiences translate into Saturnian symbolism, into melancholy. The figure of Chronos-Saturn represents the Great Destroyer that is Time and, thus, both death (putrefaction) and rebirth”.

This death must be understood from a symbolic perspective. Because of its symbolic meaning, there is a possibility of a resurrection of the individual. From the fragments of the destroyed ego arises a new ego, renewed by its traumatic experience, and now closer to its core, the self. This is associated with the later phases of the alchemical process, of which Eliade writes that

“The phase following the nigredo, the leukosis [or] the albedo, correspond to a ‘resurrection’ which translates into the appropriation of certain states of consciousness which are inaccessible to the mundane condition. The two following phases, the citrinitas and the rubedo, which crown the alchemical opus and lead to the Philosopher’s Stone, further develop and fortify this new initiatorical consciousness.”


The Sator Table is a Saturnian working focusing on feasting and communing with the spirits and persons that dwell within the land. Sator means “The Sower,” a title for the Roman Saturn. Saturn’s Chthonic self, as Master and world indweller, is the chief attribute through which he reaches out to mortals, teaches sorcery, and “knows” us.

At the center of the Sator Table is a six-pointed “mawkin,” from the etymological root of the Scots word maukin, meaning “hare” or “simpleton.” Usually the five-pointed mawkin is used to represent human presence, so for addressing the indwelling powers, a six-pointed one is preferred. This is because six represents the Unseen, spirits and their amorousness; here represented by the sixth line of the mawkin, symbolizing the phallic, earthy, goat-like, chthonic local powers. In this way, the Venusian six is a friendly invitation to the table. Surrounding this are three sickles, representing Saturn.

The goal of the Sator Table, aside from feeding the earth and local land wights, is that these spirits will visit us in dreams or during visionary states to impart their wisdom and cunning. Each group of entities is distinctive, and has a unique body of knowledge specific to them. We must always seek communion with these powers; to gain their friendship, and to understand them and their desires.