frater440:

Utterly amazing piece by Lupe Vasconcelos.

Abrahadabra is a word that first publicly appeared in The Book of the Law (1904), the central sacred text of Thelema. Its author, Aleister Crowley, described it as “the Word of the Aeon, which signifieth The Great Workaccomplished.“ This is in reference to his belief that the writing of Liber Al vel Legis heralded a new Aeon for mankind that was ruled by the God Ra-Hoor-Khuit. Abrahadabra is, therefore, the “magical formula” of this new age. It is not to be confused with the Word of the Law of the Aeon, which is Thelema, meaning “Will” in ancient Greek.

Gematria

As with most things found in the mystical works of Aleister Crowley, the word “Abrahadabra” can be examined using the qabalistic method of gematria, which is a form of numerology, whereby correspondences are made based on numerical values.

ABRAHADABRA = 418
ABRAHADABRA has 11 letters

ABRAHADABRA = 1+2+2+1+5+1+4+1+2+2+1 = 22

The five letters in the word are: A, the Crown; B, the Wand; D, the Cup; H, the Sword; R, the Rosy Cross; and refer further to Amoun the Father, Thoth His messenger, and Isis, Horus, Osiris, the divine-human triad.
Also 418 = ATh IAV, the Essence of IAO, translated from Hebrew as “Thou art IAO”418= BVLShKIN, or Boleskine418= RA HVVR, or Ra Hoor418= הרו-רא-הא, a Hebrew spelling of Heru-Ra-Ha418= ΑΙϜΑΣΣ, a Greek spelling of Aiwass418= The sum of all integers between 13 and 31 inclusive.Abrahadabra is from Abrasax, Father Sun, which = 365 418 = 22 x 19 Manifestation

In Aramaic this word roughly translates into “I will create as I speak.”

Had is the keyword of Abrahadabra. Had is another name for Hadit, the second Speaker in Liber Legis (“The Book of the Law”).“

ABRAHADABRA is “The key of the rituals” because it expresses the Magical Formulae of uniting various complementary ideas; especially the Five of the Microcosm with the Six of the Macrocosm.“

"Abrahadabra is the glyph of the blending of the 5 and the 6, the Rose and the Cross.”

Taken from the Wikipedia entry and amended.

Frater 440.’.
93 93/93

therion-esoterictattoo:

The World LAShTAL includes:
LA—Naught.
AL—Two.
L is “Justice,” the Kteis fulfilled by the Phallus, “Naught and Two” because the plus and the minus have united in “love under will.”
A is “The Fool,” Naught in Thought (Parzival), Word (Harpocrates), and Action (Bacchus). He is the boundless air, and the wandering Ghost, but with “possibilities.” He is the Naught that the Two have made by “love under will.”
LA thus represents the Ecstasy of Nuit and Hadit conjoined, lost in love, and making themselves Naught thereby. Their child is begotten and conceived, but is in the phase of Naught also, as yet. LA is thus the Universe in that phase, with its potentialities of manifestation.
AL, on the contrary, though it is essentially identical with LA, shows “The Fool” manifested through the Equilibrium of Contraries. The wieght is still nothing, but it is expressed as it were two equal weights in opposite scales. The indicator still points to zero.
ShT is equally 31 with LA and AL, but it expresses the secret nature which operates the Magick or the transmutations.
ShT is the formula of this particular Æon; another æon might have another way of saying 31.
Sh is Fire as T is Force; conjoined they express Ra-Hoor-Khuit.
“The Angel"3 represents the Stèle 666, showing the Gods of the Æon, while “Strength” is a picture of Babalon and the Beast, the earthly emissaries of those Gods.
ShT is the dynamic equivalent of LA and AL. Sh shows the Word of the Law, being triple, as 93 is thrice 31. T shows the formula of Magic declared in that Word; the Lion, the Serpent, the Sun, Courage and Sexual Love are all indicated by the card.
In LA note that Saturn or Satan is exalted in the House of Venus or Astarté and it is an airy sign. Thus L is Father-Mother, Two and Naught, and the Spirit (Holy Ghost) of their Love is also Naught. Love is AHBH, 13, which is AChD. Unity, 1, aleph. who is “The Fool” who is Naught, but none the less an individual One, who (as such) is not another, yet unconscious of himself until his Oneness expresses itself as a duality.
Any impression or idea is unknowable in itself. It can mean nothing until brought into relation with other things. The first step is to distinguish one thought from another; this is the condition of recognizing it. To define it, we must perceive its orientation to all our other ideas. The extent of our knowledge of any one thing varies therefore with the number of ideas with which we can compare it. Every new fact not only adds itself to our universe, but increases the value of what we already possess.
In AL this “The” or “God” arranges for “Countenance to behold countenance,“4 by establishing itself as an equilibrium, A the One-Naught conceived as L the Two-Naught. This L is the Son-Daughter Horus-Harpocrates just as the other L was the Father-Mother Set-Isis. Here then is Tetragrammaton once more, but expressed in identical equations in which every term is perfect in itself as a mode of Naught.
ShT supplies the last element; making the Word of either five or six letters, according as we regard ShT as one letter or two. Thus the Word affirms the Great Work accomplished: 5○=6□.
ShT is moreover a necessary resolution of the apparent opposition of LA and AL; for one could hardly pass to the other without the catalytic action of a third identical expression whose function should be to transmute them. Such a term must be in itself a mode of Naught, and its nature cannot encroach on the perfections of Not-Being, LA, or of Being, AL. It must be purely Nothing-Motion as they are purely Nothing-Matter, so as to create a Matter-in-Motion which is a function of “Something.”
Thus ShT is Motion in its double phase, an inertia compose of two opposite current, and each current is also thus polarized. Sh is Heaven and Earth, T Male and Female; ShT is Spirit and Matter; one is the word of Liberty and Love flashing its Light to restore Life to Earth, the other is the act by which Life claims that Love is Light and Liberty. And these are Two-in-One, the divine letter of Silence-in-Speech whose symbol is the Sun in the Arms of the Moon.5
But Sh and T are alike formulæ of force in action as opposed to entities; they are not states of existence, but modes of motion. They are verbs, not nouns.
Sh is the Holy Spirit as a “tongue of fire” manifest in triplicity, and is the child of Set-Isis as theirlogos or Word uttered by their “Angel.” The card is XX, and 20 is the value of yod (the secret seed of all things, the Virgin, “The Hermit,” Mercury, the Angel or Herald) expressed in full as IVD. Sh is the spiritual congress of Heaven and Earth.
But T is the Holy Spirit in action as a “roaring Lion” or as “the old Serpent” instead of an “Angel of Light.” The twins of Set-Isis, harlot and beast, are busy with that sodomitic and incestuous lust which is the traditional formula for producing demi-gods, as in the cases of Mary and the Dove, Leda and the Swan, etc. The card is XI, the number of Magick AVD: aleph “The Fool” impregnating the woman according to the Word of yod, the Angel of the Lord! His sister has seduced her brother Beast, shaming the Sun with her sin; she has mastered the Lion, and enchanted the Serpent.

Liber Reguli

therion-esoterictattoo:

The title of ninth Sephira, or emanation of the Tree Of Life, is YSVD (Yezod). It is the Sephira of the Lunar magick of Aub, or Ob, the Serpent (whence “obeah”).
The Serpent is a Symbol common to the Yezidi, Voodooists, Tantrics, and Thelemites.
Yezod or Yesod as the secret center of the Yezidi is an apt description of the Sephira wich corresponds to the sexual center in the human body. Yesod means “Foundation”, and the Hadit of the Thelemites, is the Foundation of the World, as Yesod is the foundation of the Tree Of Life.
The accursed God of the South is, then no other than the lord of the reproductive forces typified by the southernmost Sephira-Yesod.
Yesod is attributed to the Moon. not to the Sun. The curious symbolism is explained by the connection of the Serpent or Dragon with the lunar current typified by Babalon- “for he is ever a sun, and she a moon”. The symbolism may be fathomed at the Hindu level of mythology where Shiva (the Indian Seth) is called “the god with the crescent” (i.e the moon) in the Bhagavad Gita. Also, Thoth the Moon-god, was originally the God of Sirius, identical with the Star-God-Seth, before the luni-solar mode of reckoning time supplanted the stellar reckoning.
This is the reason why the inverted pentagram, or pointed towards the south is usually abhorred as a seal of the devil. Is the seal of Satan because it invokes the snake sex, snake Obeah. The osirisian, and Christians, fled from this aspect of existence, and the pentagram of Set, the south, was considered the symbol of impurity and of abomination. It is still the star of Satan for those who consider the use the current of sexual magic as “evil” that is diabolic. Originally there was no moral pollution; it comes from the hands of the followers of the cult of the old Aeon, those represented in myth by God Dying: Adonis, Osiris, Christ, etc

Kenneth Grant
“The Magical revival”

magical-diary:

Melek Taus is the androgynous and bi-sexual Peacock Angel (Ruling Spirit) of the Moon, the Kabbalistic Sphere of Yesod, and worshipped by the Yazidis (c.f. “Yesod”).

Since s/he rules the lunar sphere, s/he is prince/ss of the lunar and sublunar spheres.

“The Peacock Angel, as world-ruler, causes both good and bad to befall
individuals, and this ambivalent character is reflected in myths of his
own temporary fall from God’s favour, before his remorseful tears
extinguished the fires of his hellish prison and he was reconciled with
God”.

The sphere of Yesod is associated with imagination, dreams, the “unconscious” and the underworld. The Hebrew word סוד (”Yesod”) means “foundation”. One interpretation of this name is that Imagination is the Foundation on which the Kingdom of the Four Elements and Matter (Malkuth) is built.

Commenting circa 1919 on the first chapter of The Book of the Law (Liber AL vel Legis), Aleister Crowley wrote “Aiwaz
is not as I had supposed a mere formula, like many angelic names, but
is the true most ancient name of the God of the Yezidis, and thus
returns to the highest Antiquity. Our work is therefore historically
authentic, the rediscovery of the Sumerian Tradition”
.

Artwork credits:

  1. False Color” image of the moon taken by the Galileo probe in 1992.
  2. The cover of “Beelzebub and the Beast” by David Hall, with art by Stuart Littlejohn (2012).
  3. Gate of Yezeedi Temple Sheikh Adi”, from “A Journey from London to Persepolis” (1865).
  4. Aiwass-Lam” by Kyle Fite, from “Diabolical” from Scarlet Imprint (2009).